El paraiso existe, se llama México…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
A través de 300 obras, entre carteles, hojas volantes, ediciones, carpetas, calaveras y documentos, la muestra propone un recorrido por la historia de México al reflejarse momentos posteriores a la Revolución Mexicana, la cotidianidad en el campo y la ciudad, los movimientos sociales y sindicales que ilustran la lucha de los obreros por mejores condiciones de trabajo.
Ciudad de México.- 10 de Diciembre de 2017.- Con la exposición Estampa y lucha: Taller de Gráfica Popular (1937-2017), el Museo Nacional de la Estampa (MUNAE) presenta parte del trabajo colectivo que a lo largo de ocho décadas ha realizado el Taller de Gráfica Popular (TGP), con la participación de más de cien artistas entre grabadores y litógrafos.
Doce cañones de una fragata holandesa del siglo XVIII, restos de un barco de vapor del XIX y un faro antiguo fueron registrados por personal de la Subdirección de Arqueología Subacuática
Sisal, Yucatán.- 9 de Diciembre de 2017.- El pueblo de Sisal, en Yucatán, es un apacible destino de playa y una importante fuente de empleo para los pescadores que a diario sondan sus cálidas aguas en busca de sustento. Entre los siglos XVIII y XIX, sin embargo, fue un bullicioso puerto que atrajo a numerosas embarcaciones, muchas de las cuales jamás llegaron a su destino, ni volvieron a ser vistas hasta ahora, cuando expertos de la Subdirección de Arqueología Subacuática (SAS) del Instituto Nacional de Antropología e Historia (INAH) localizaron sus vestigios.
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…
I recently had the enviable task of reading nearly every story Richard Matheson ever wrote and selecting 33 tales to be included in Penguin Classics’ The Best of Richard Matheson. This turned out to be like stepping into a time machine, transported back to the age when I started reading him. I was fourteen. The…